![]() QUESTIONS CONTACT JEFF STEEVES AT 1 506 875-4246 LOCATED AT 92 OLD BERRY MILLS ROAD - BACK ENTRANCEįAILURE TO COMPLY WITH THESE TERMS WILL HAVE YOUR ITEMS RELISTED THAT WEEK!ĬUSTOMER & CONSIGNOR SATISFACTION WILL BE LOW KEY AUCTIONS LTD TOP PRIORITY - THESE CONDITIONS MUST BE MET TO GIVE YOU EFFICIENT SERVICE! PICK UP HOURS ARE MONDAYS & TUESDAYS FOLLOWING THE AUCTIONS CLOSEĦ. LOW KEY HAS NO ASSOCIATION WITH KEY AUCTIONS ONLINE - COMPANIES ARE TOTALLY SEPARATEĥ. NO SHIPPING OR PUTTING ITEMS ASIDE FOR LATER PICK-UP.Ĥ. PAYMENT: CAN BE MADE IN PERSON OR BY PHONE: CASH, DEBIT, VISA, MASTERCARD AND E-TRANSFERS, SORRY NO CHEQUES.ģ. PICK UP: ONLY 2 DAYS ARE GIVEN TO PICK UP - THAT'S IT - DO NOT BID IF UNABLE TO PICK UP ON THE DESIGNATED DAYS!Ģ. NO EXCEPTIONS TO THE FOLLOWING CONDITIONS!ġ. LOW KEY AUCTIONS LTD IS A DISCOUNT & EXPRESS SERVICE. PLEASE READ BELOW OR ITEM #1 DESCRIPTION! Now un-solo the music track and listen to how beautifully clear the voice is while the music is still very audible as well.THANKS FOR REGISTERING WITH LOW KEY AUCTIONS LTD - ENJOY! It ought to sound very odd, sort of choppy to you. Click the "S" (stands for " solo") button on the music track to solo it. To make sure things are working properly, close the FX window and play your audio. If the average volume of the music is so loud that the voice can't even be heard to start with, ducking won't help you much. One thing to be sure of before you do any of this is that the overall volume on the music track is already set to where you could hear the voice over it fairly well even without the ducking compressor. Start out with a Ratio setting between 4:1 and 6:1 and put the Threshold slider down to about -20 dB. You can experiment here by listening as you adjust. Now all you need to do adjust the compressor settings. Now the compressor will change the volume settings of the music based on the fluctuations of the voice track. So it's just a matter of having at least two tracks, putting a compressor on the one you want to get ducked, and feeding the output of the main audio (the voice) into that compressor.Ĭhange compressor Detector Input to Auxiliary Pretty nifty huh? No? I lost you? Yeah, this kind of thing is much easier to explain with pictures. That means we have to put the compressor on the music track (say, track 2), but make it listen to track 1 for its instructions on when (and how much) to turn down the music. Well the big difference with ducking is that the voice is still going to trigger the volume reduction actions of a compressor, but that compressor will be turning down the volume NOT of the voice, but of something else in this case, a background music track. So if you have a voice on track 1, and you put a compressor on track 1, the voice will trigger the compressor when its volume goes over a certain level or threshold that you set. Usually you insert a compressor effect onto a track to control the audio on that track. The main tool is compression (see our article S hould You Use Compression In Audio Recording?), which is a tool that automatically turns audio down by a certain amount, but only when the volume gets loud enough to trigger it. There usually isn't a tool called "ducking" in these programs since the technique uses a combination of tools working together. I'll explain how to do it in Reaper, though the process is going to be the same in any multi-track audio program or video editor. The audio you want to be the primary thing, like the narrator's voice, is made prominent because some other audio is "ducking" underneath it at key moments. ![]() Guess what? There is! That's what ducking is. If only there were a way for the audio (or video) program to sense when the narrator is talking and when he/she is not, followed by the program automatically turning the music up when there is no vocal, and down again when there is. This cycle will repeat as many times as the narrator stops speaking, which is a lot of work. Sure, you can simply turn the music track volume down, but then when the voice goes away the music won't be loud enough. But when the voice comes in, it should take over as the main audio, the background music becoming, well, background audio. When the narrator is not speaking, the music should be clear and present - the main thing to listen to. Let's say you have some background music for either a voice-over project or a video project that will have a narrator, and that this music will play at the same time as the narrator speaks. If nothing else, this is a rare example where the term actually describes, in plain English, what it accomplishes. Ducking in audio recording is a technique for allowing a narrator's voice to be heard clearly and consistently when there is other audio happening at the same time, such as background music.
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